{"id":842,"date":"2015-12-10T00:32:29","date_gmt":"2015-12-09T23:32:29","guid":{"rendered":"http:\/\/www.cinemanifeste.fr\/?page_id=842"},"modified":"2015-12-10T00:42:17","modified_gmt":"2015-12-09T23:42:17","slug":"festival-paris-courts-devant-litalie-pays-invite","status":"publish","type":"page","link":"https:\/\/cinemanifeste.fr\/?page_id=842","title":{"rendered":"Festival Paris Courts Devant : L\u2019ITALIE, PAYS INVITE"},"content":{"rendered":"<p>________________________________________<br \/>\n<strong>Festival Paris Courts Devant &#8211; Du 10 au 20 d\u00e9cembre 2015<\/strong><br \/>\n<strong>L\u2019ITALIE, PAYS INVITE<\/strong><br \/>\n________________________________________<\/p>\n<p>Tour \u00e0 tour flamboyant, exigent, frivole, tout en int\u00e9riorit\u00e9 muette ou en d\u00e9mesure, r\u00e9aliste ou hautement fantaisiste, le cin\u00e9ma italien balaye tout de sa vitalit\u00e9, et conjugue comme nul autre la fleur de peau frissonnante et la tristesse d\u00e9mesur\u00e9e du paradis perdu.<\/p>\n<p>Pour qui aime le cin\u00e9ma, l\u2019Italie est comme une s\u0153ur jumelle, tenue un moment \u00e9loign\u00e9e par des vents contraires, et qui revient de temps en temps nous rappeler que, m\u00eame si sa vie de cin\u00e9ma n\u2019est pas toujours facile, nous sommes p\u00e9tris de la m\u00eame chair et du m\u00eame sang.<\/p>\n<p>Avec la complicit\u00e9 d\u2019Antonia Naim, responsable de l\u2019association Cin\u00e9manifeste, et Anna di Martino, responsable du festival Visioni Italiane de la Cin\u00e9math\u00e8que de Bologne, voici deux programmes de courts m\u00e9trages italiens.<\/p>\n<p><a href=\"http:\/\/cinemanifeste.fr\/wp-content\/uploads\/2015\/12\/pic12382.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-834 \" src=\"http:\/\/cinemanifeste.fr\/wp-content\/uploads\/2015\/12\/pic12382.gif\" alt=\"pic12382\" width=\"198\" height=\"99\" \/><\/a><br \/>\n<a href=\"http:\/\/cinemanifeste.fr\/wp-content\/uploads\/2014\/11\/cin\u00e9manifeste_MauveBlanc_010_1001.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-252  aligncenter\" src=\"http:\/\/cinemanifeste.fr\/wp-content\/uploads\/2014\/11\/cin\u00e9manifeste_MauveBlanc_010_1001.jpg\" alt=\"cin\u00e9manifeste_MauveBlanc_010_100\" width=\"315\" height=\"61\" srcset=\"https:\/\/cinemanifeste.fr\/wp-content\/uploads\/2014\/11\/cin\u00e9manifeste_MauveBlanc_010_1001.jpg 378w, https:\/\/cinemanifeste.fr\/wp-content\/uploads\/2014\/11\/cin\u00e9manifeste_MauveBlanc_010_1001-300x57.jpg 300w, https:\/\/cinemanifeste.fr\/wp-content\/uploads\/2014\/11\/cin\u00e9manifeste_MauveBlanc_010_1001-150x28.jpg 150w\" sizes=\"auto, (max-width: 315px) 100vw, 315px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Six films des ann\u00e9es cinquante, et six courts m\u00e9trages d\u2019aujourd\u2019hui, tous genres confondus.<\/p>\n<p>MASTERCLASS<br \/>\nDimanche 13 d\u00e9cembre \/ 18H30 \/ Mac Mahon<br \/>\nChaque ann\u00e9e depuis trois ans, nous convions une personnalit\u00e9 du pays invit\u00e9 pour animer une Master Class. Apr\u00e8s Volker SCHL\u00d6NDORFF pour l\u2019Allemagne et Tom HOOPER pour le Royaume-Uni, nous vous annoncerons tr\u00e8s prochainement la personnalit\u00e9 qui viendra vous enchanter \u00e0 propos de 7\u00e8me art en Italie.<br \/>\nCin\u00e9aste, interpr\u00e8te, critique ou historien\u2026 Cette belle apr\u00e8s-midi d\u2019hiver aux couleurs de l\u2019Italie sera anim\u00e9e par un passionn\u00e9 de ce cin\u00e9ma italien qui fait tant partie de nous.<br \/>\nFor the last three years we have focused on a different country and have invited a special guest to give a masterclass. Volker Schl\u00f6ndorf came from Germany, Tom Hooper from the United Kingdom and we will soon announce the name of the celebrity who\u2019ll delight us and talk to us about filmmaking in Italy.<br \/>\nWill he be a director, an actor, a critic or a historian\u2026 you will soon find out. An expert will be your host during this beautiful winter afternoon in green white and red in honour of Italian cinema.<\/p>\n<p><span style=\"color: #ff0000;\"><strong>DES COURTS ITALIENS D\u2019HIER..<\/strong>.<\/span><br \/>\n<span style=\"color: #ff0000;\"> <strong>Dimanche 13 d\u00e9cembre \/ 14H \/ Mac Mahon<\/strong><\/span><\/p>\n<p><strong>SIGNORI, CHI \u00c8 DI SCENA ?<\/strong><br \/>\nLeonardo Cortese \u2013 Italie \u2013 1951 \u2013 13\u2019<br \/>\nINTERPR\u00c8TES : Carlo Mauri, Paolo Panelli, Orazio Costa, Antonio Crast, Nino Manfredi, Bice Valori, Silvio D\u2019amico, Arnoldo Tieri, Delia Scala, Luciana Peverelli, Tino Buazzelli \/ PRODUCTION : Leonardo Cortese E Carlo Bestetti<br \/>\n\u00c0 mi-chemin entre documentaire et fiction, le film capture les quelques minutes qui pr\u00e9c\u00e8dent une Premi\u00e8re th\u00e9\u00e2trale. \u00c9l\u00e9gant et ironique, le film observe les premiers rangs du public et les coulisses.<br \/>\nHalfway between fiction and non-fiction, this film captures the moments that preceed an opening night. This elegant, tongue-in-cheek film observes what goes on in front of the stage and behind the curtain, in the aisles.<br \/>\n________________________________________<br \/>\n<strong>SPORT MINORE<\/strong><br \/>\nFrancesco Maselli \u2013 Italie \u2013 1951 \u2013 11\u2019<br \/>\nPRODUCTION : Giorgio Patara Per Cittadella Film<br \/>\nCe film est d\u00e9di\u00e9 aux activit\u00e9s sportives, improvis\u00e9es et amateurs, des jeunes de la banlieue de Rome. Histoire d\u2019un environnement social p\u00e9riph\u00e9rique dans lequel le r\u00eave et la passion pour le sport sont des tentatives d\u2019\u00e9vasion de la r\u00e9alit\u00e9.<br \/>\nThis movie is dedicated to spontaneous and amateur sports games in the suburbs of Rome. In the outskirts, a society in which this dream of passion for sports is an opportunity to escape from reality.<br \/>\n________________________________________<br \/>\n<strong>I BAMBINI CI GIUOCANO<\/strong><br \/>\nNicolo Ferrari \u2013 Italie \u2013 1952 \u2013 11\u2019<br \/>\nPRODUCTION : Vittorio De Sica E Cesare Zavattini Per Fondazione Pro Juventute<br \/>\nLe film pose le probl\u00e8me des enfants bless\u00e9s et mutil\u00e9s par les engins non explos\u00e9s et laiss\u00e9s comme souvenir de la guerre. Environ 2000 jeunes ont \u00e9t\u00e9 bless\u00e9s entre 1945 et 1952.<br \/>\nThe harsh reality of youths wounded and mutilated by unexploded shells the war left to remember it by. Between 1945 and 1952, about 2000 young people were hit.<br \/>\n________________________________________<br \/>\n<strong>QUELLI CHE SOFFRONO PER VOI<\/strong><br \/>\nAlessandro Blasetti \u2013 Italie \u2013 1951 \u2013 11\u2019<br \/>\nPRODUCTION : Quadrifoglio Film<br \/>\nPratique largement ignor\u00e9e \u00e0 l\u2019\u00e9poque, le film aborde le sujet de l\u2019utilisation d\u2019animaux comme cobayes dans la fabrication de m\u00e9dicaments. Sans prendre position, mais en essayant de donner une explication \u00e0 ce ph\u00e9nom\u00e8ne, Blasetti enrichit le film en lui donnant une connotation m\u00e9taphysique.<br \/>\nAt a time where the general public was unaware of these facts, this film tackles the issue of animal testing in the pharmaceutical industry. Though Blasetti doesn\u2019t take sides, he strives to find an explanation to this state of affairs while bringing metaphysical overtones to the film.<br \/>\n________________________________________<br \/>\n<strong>MINIATURE<\/strong><br \/>\nValerio Zurlini \u2013 Italie \u2013 1951 \u2013 9\u2019<br \/>\nPRODUCTION : Mario Nascimbene Per Meridiana Film<br \/>\nTourn\u00e9 en Ferrania color, ce documentaire est d\u00e9di\u00e9 aux miniatures gard\u00e9es dans la Biblioth\u00e8que Estense de Mod\u00e8ne.<br \/>\nShot on Ferrania film, this documentary is dedicated to the miniatures kept at the Estense Library in Modena.<br \/>\n________________________________________<br \/>\n<strong>IL GIOIELLO DEGLI ESTENSI<\/strong><br \/>\nValerio Zurlini \u2013 Italie \u2013 1952 \u2013 9\u2019<br \/>\nPRODUCTION : Mario Nascimbene Per Meridiana Film<br \/>\nCe film illustre la c\u00e9l\u00e8bre Bible de Borso d\u2019Este, command\u00e9e par le duc aux enlumineurs Taddeo Crivelli et Francesco Dei Russi en mai 1455.<br \/>\nIn May 1455, the duke contracts Taddeo Crivelli and Francesco del Russi for the illumination of the Borso d\u2019Este Bible. This is an illustration.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #ff0000;\"><strong>&#8230; ET DES COURTS ITALIENS D\u2019AUJOURD\u2019HUI<\/strong><\/span><br \/>\nEn pr\u00e9sence des \u00e9quipes :<br \/>\nDimanche 13 d\u00e9cembre \/ 16H \/ Mac Mahon<br \/>\nVenez d\u00e9couvrir et rencontrer six r\u00e9alisateurs prometteurs pour six grands films courts,<br \/>\ntous genres confondus.<\/p>\n<p><span style=\"color: #000000;\"><strong>FAME<\/strong><\/span><br \/>\nKarole Di Tommaso \u2013 Italie \u2013 2014 \u2013 11\u2019<br \/>\nINTERPR\u00c8TES : Linda Chang, Elisa Guo \/ PRODUCTION : Centro Sperimentale Di Cinematografia Production<\/p>\n<p>Elisa, une enfant chinoise de dix ans assez corpulente, vit \u00e0 Rome avec sa m\u00e8re qui la voudrait plus maigre et plus ob\u00e9issante.<br \/>\nElisa is a rather chubby 10-year old Chinese girl who lives in Rome with her mother who\u2019d like her to be thinner and more docile.<br \/>\n________________________________________<br \/>\n<span style=\"color: #000000;\"><strong>LA VALIGIA<\/strong><\/span><br \/>\nPier Paolo Paganelli \u2013 Animation \u2013 Italie \u2013 2014 \u2013 15\u2019<br \/>\nPRODUCTION : Ivan Olgiati, Stefania Marconi, Daniele Paganelli<\/p>\n<p>Enferm\u00e9 entre les murs d\u2019une pi\u00e8ce vide et impersonnelle, un vieillard red\u00e9couvre les moments les plus importants de sa vie gr\u00e2ce aux souvenirs contenus dans une myst\u00e9rieuse valise.<br \/>\nBetween the four walls of a cold empty room, an old man rediscovers the most important moments of his life through the memorabilia he finds inside an mysterious suitcase<br \/>\n________________________________________<br \/>\n<span style=\"color: #000000;\"><strong>IL SERPENTE<\/strong><\/span><br \/>\nNicola Prosatore \u2013 Italie \u2013 2014 \u2013 15\u2019<br \/>\nINTERPR\u00c8TES : Antonia Truppo, Giovanni Ludeno, Francesco Di Leva, Cesare Bocci \/ PRODUCTION : Briciola Srl<\/p>\n<p>En route vers chez elle, Marta r\u00e9alise qu\u2019elle est suivie. Quelqu\u2019un entre dans son v\u00e9hicule sans qu\u2019elle s\u2019en rende compte. Une s\u00e9rie de malentendus et de rebondissements dans une histoire o\u00f9 rien ne se passe comme il y para\u00eet.<br \/>\nDoes Marta realize she is being followed on her way home ? Unbeknownst to her, someone gets into her car. Twists and turns and misunderstandings in a story where the truth isn\u2019t what it seems.<br \/>\n________________________________________<br \/>\n<strong>ZACHARIE NON ABITA PIU QUI<\/strong><br \/>\nAlberto Segre\u2013 Italie \u2013 2014 \u2013 19\u201938<br \/>\nPRODUCTION : Mariposa Productions<\/p>\n<p>Magdalena est sud-am\u00e9ricaine et travaille au service de la famille Chaumont. Chaque mercredi elle accompagne le petit Zacharie au judo. Un jour, l\u2019enfant dispara\u00eet.<br \/>\nMagdalena is from South America and works for the Chaumont family. Every Wednesday, she walks Zacharie to Judo. One day the child disappears.<br \/>\n________________________________________<br \/>\n<span style=\"color: #000000;\"><strong>PLACE R\u00c9PUBLIQUE<\/strong><\/span><br \/>\nGiacomo Abbruzzese \u2013 Documentaire \u2013 Italie \u2013 2015 \u2013 15\u2019<br \/>\nPRODUCTION : Dugong Et Pulsemedia<\/p>\n<p>Du 7 au 11 janvier 2015, les images des cinq jours qui ont suivi le massacre \u00e0 Charlie Hebdo, film\u00e9es avec un IPhone depuis la Place de la R\u00e9publique\u2026<br \/>\nJanuary 7 to January 11 2015, Place de la R\u00e9publique : iPhone footage from the five days that followed the Charlie Hebdo shooting.<br \/>\n________________________________________<br \/>\n<span style=\"color: #000000;\"><strong>GAIWAN<\/strong> <\/span><br \/>\nElia Moutamid \u2013 Italie \u2013 2015 \u2013 4\u2019<br \/>\nPRODUCTION : Luna Films<\/p>\n<p>Un cimeti\u00e8re. Deux hommes. Un insolite rituel devant une tombe qui va susciter le jugement, d\u2019abord avec un pr\u00e9jug\u00e9 sarcastique, puis l\u2019\u00e9tonnement et la r\u00e9flexion. Une parabole sur l\u2019espoir et la mort qu\u2019ont en commun les hommes au-del\u00e0 de leurs pr\u00e9jug\u00e9s.<br \/>\nA cemetary. Two men. A strange ritual : first you smirk, then you wonder and finally you think. A parable about something we all share despite our prejudices : hope and death<\/p>\n","protected":false},"excerpt":{"rendered":"<p>________________________________________ Festival Paris Courts Devant &#8211; Du 10 au 20 d\u00e9cembre 2015 L\u2019ITALIE, PAYS INVITE ________________________________________ Tour \u00e0 tour flamboyant, exigent, frivole, tout en int\u00e9riorit\u00e9 muette ou en d\u00e9mesure, r\u00e9aliste ou hautement fantaisiste, le cin\u00e9ma italien balaye tout de sa vitalit\u00e9, et conjugue comme nul autre la fleur de peau frissonnante et la tristesse d\u00e9mesur\u00e9e du paradis perdu. Pour qui [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-842","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cinemanifeste.fr\/index.php?rest_route=\/wp\/v2\/pages\/842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cinemanifeste.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cinemanifeste.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cinemanifeste.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cinemanifeste.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=842"}],"version-history":[{"count":3,"href":"https:\/\/cinemanifeste.fr\/index.php?rest_route=\/wp\/v2\/pages\/842\/revisions"}],"predecessor-version":[{"id":857,"href":"https:\/\/cinemanifeste.fr\/index.php?rest_route=\/wp\/v2\/pages\/842\/revisions\/857"}],"wp:attachment":[{"href":"https:\/\/cinemanifeste.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}